(oid=25) 2017-2018 Graduate Catalog [ARCHIVED CATALOG]Theatre |
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Distinguished Professor Stanley Wojewodski, Jr., Division Chair
Professors: Rhonda Blair, Kevin Paul Hofeditz, Bill Lengfelder, Stanley Wojewodski, Jr., Steve Woods
Associate Professors: Michael Connolly, Jack Greenman, Russell Parkman, Sara Romersberger, Anne Schilling, Gretchen Smith, Claudia Stephens
Assistant Professors: Benard Cummings, Blake Hackler
Artist-in-Residence: Will Power
Lecturers: Brad Cassil, Marsha Grasselli
Adjunct Lecturers: Dawn Askew, Jason Biggs, Linda Blase, Steve Leary, J.D. Margetts, Kathy Windrow
Costume Shop Manager: Melissa Panzarello
Costumer: Eugenie Stallings
Prop Master: JT Ringer
Scene Shop Foreman: Eliseo Gutierrez
Master Electrician: Dawn Askew
Associate Master Electrician: Steven Piechocki
Technical Director: J.D. Margetts
Assistant Technical Director: Steve Leary
General Information
The Division of Theatre offers three-year specialized professional training programs in acting and stage design leading to the Master of Fine Arts degree. The graduate training programs are committed to professionalism in attitude and practice. Only students with a serious interest in the theatre as an art – those committed to self-development and prepared to work responsibly and collaboratively in their discipline – should expect to enter and continue in graduate study.
Instructional Facilities
The Division of Theatre is part of the Meadows School of the Arts, housed in the well-equipped facilities of the Owen Arts Center. These include the Bob Hope Theatre (a 392-seat proscenium theatre), the Margo Jones Theatre (a 125-seat “black box” theatre), the Greer Garson Theatre (a 366-seat theatre with a classical thrust stage), the Ruth Collins Sharp Drama Building, and the Jake and Nancy Hamon Arts Library.
The Division of Theatre presents an annual subscription season of full-scale public productions chosen for their suitability for training, timeliness and public appeal. All theatre students are considered members of the Division of Theatre, and practical experience is considered a vital part of the theatre-training program.
Admission and Financial Aid
The Division of Theatre observes a highly selective admissions policy in its graduate programs. The acting program admits eight students in alternating years. The design program admits approximately four students each year. Prospective students in all areas are strongly encouraged to visit the campus to gain a keener appreciation of the division’s training, the environment and the University.
Acting Interview: Audition
The acting faculty auditions applicants for graduate study in acting. Applicants can choose to audition in Dallas, at the University/Resident Theatre Association’s three venues or at a number of the division’s own national sites. Appointments for on-campus auditions can be made by contacting the Meadows Student Affairs Office. On-campus auditions require the preparation of two monologues: one taken from a classical play and one from a modern or contemporary play for a total of four minutes or less. Students may sing but are not required to do so.
Stage Design Interview: Portfolio Review
The design faculty interviews applicants for graduate study in scenery, costume and lighting design. Applicants can choose to interview in Dallas, at the University/Resident Theatre Association’s three venues or at a number of the division’s own national sites. Appointments for on-campus interviews can be made by contacting the Division of Theatre.
Programs
Courses
| General Topics | THEA 5101/5201/5301, 5398/5399, 6101/6201/6301, 6216, 6217, 6315 |
| Acting | THEA 5205–5210, 5303, 5304, 6107, 6108, 6111, 6114, 6205–6210, 6212, 6303, 6304, 6313, 6503, 6604 |
| Stage Design | THEA 5221–5258, 5241, 5351–5357, 5373, 5374, 5375, 5379, 5398, 5399, 6119, 6120, 6215, 6316, 6317, 6319, 6351–6357, 6361, 6362, 6373 |
- THEA 5000 - Rehearsal and Performance Laboratory
- THEA 5001 - Design Laboratory I
- THEA 5002 - Design Laboratory II
- THEA 5003 - Design Laboratory III
- THEA 5004 - Design Laboratory IV
- THEA 5005 - Rehearsal and Performance Laboratory
- THEA 5101 - Directed Study
- THEA 5103 - Projects I
- THEA 5104 - Projects II
- THEA 5106 - Singing For Actors
- THEA 5201 - Directed Study
- THEA 5204 - Acting II
- THEA 5205 - Movement I
- THEA 5206 - Movement 2
- THEA 5207 - Voice For the Stage I
- THEA 5208 - Voice For the Stage II
- THEA 5209 - Applied Movement I
- THEA 5210 - Applied Movement II
- THEA 5215 - Text Analysis For Actors I
- THEA 5216 - Text Analysis For Actors II
- THEA 5221 - Scene Design I
- THEA 5222 - Scene Design II
- THEA 5223 - Costume Design I
- THEA 5224 - Costume Design II
- THEA 5225 - Lighting Design I
- THEA 5226 - Lighting Design II
- THEA 5241 - Collaboration: Directors and Designers
- THEA 5258 - Photoshop
- THEA 5259 - Advanced Design Skills
- THEA 5299 - Production Research and Development II
- THEA 5301 - Directed Study
- THEA 5303 - Acting I
- THEA 5304 - Acting II
- THEA 5319 - History of Design
- THEA 5321 - Topics in Design I: Lighting
- THEA 5341 - The Art of Storytelling in Everyday Life
- THEA 5351 - Scene Design III
- THEA 5352 - Scene Design IV
- THEA 5353 - Costume Design III
- THEA 5354 - Costume Design IV
- THEA 5355 - Lighting Design III
- THEA 5356 - Lighting Design IV
- THEA 5357 - Designing with Computers: Stage Photography
- THEA 5371 - Automated Lighting 2
- THEA 5373 - Draping I
- THEA 5374 - Draping II
- THEA 5375 - Theatre Technology 5: Lighting Automation
- THEA 5379 - Computer-Assisted Design I
- THEA 5380 - Computer-Assisted Design II
- THEA 5382 - Automated Lighting 3: Busking
- THEA 5398 - Production Research and Development I
- THEA 5399 - Production Research and Development II
- THEA 6001 - Directed Study
- THEA 6002 - Rehearsal and Performance Laboratory
- THEA 6003 - Rehearsal and Performance Laboratory
- THEA 6004 - Rehearsal and Performance Laboratory
- THEA 6017 - Business Aspects of Design
- THEA 6101 - Directed Study
- THEA 6103 - Shakespeare Character
- THEA 6104 - Shakespeare Quartets
- THEA 6105 - Movement V
- THEA 6107 - Voice for the Stage V
- THEA 6111 - Applied Voice I
- THEA 6113 - Business and Professional Aspects of Theatre
- THEA 6114 - Improvisation
- THEA 6119 - Drawing for Designers I
- THEA 6120 - Drawing for Designers II
- THEA 6125 - Theatre Games
- THEA 6201 - Directed Study
- THEA 6205 - Movement III
- THEA 6206 - Movement IV
- THEA 6207 - Voice for the Stage III
- THEA 6208 - Voice for the Stage IV
- THEA 6209 - Applied Movement III
- THEA 6211 - Applied Voice I
- THEA 6212 - Applied Voice II
- THEA 6214 - Applied Voice III
- THEA 6215 - Text Analysis for Designers
- THEA 6217 - Text Analysis II
- THEA 6257 - Designing with Computer
- THEA 6258 - Advanced Designing with Computer
- THEA 6301 - Directed Study
- THEA 6303 - Acting III
- THEA 6304 - Acting IV
- THEA 6305 - Movement III
- THEA 6306 - Movement IV
- THEA 6308 - Voice for the Stage VI
- THEA 6313 - Acting V
- THEA 6314 - Acting VI
- THEA 6315 - Text Analysis I
- THEA 6316 - Portfolio
- THEA 6317 - Business Aspects for Designers
- THEA 6318 - Movement VI
- THEA 6319 - History of Design: Fashion, Architecture and Interiors
- THEA 6325 - Solo Performance
- THEA 6351 - Scene Design V
- THEA 6352 - Scene Design VI
- THEA 6353 - Costume Design V
- THEA 6354 - Costume Design VI
- THEA 6355 - Lighting Design V
- THEA 6356 - Lighting Design VI